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24.11.10

Lunes, pero martes




no le vamos a conceder palabras
tampoco lo reconocemos, el ruido
eso que cruje debajo de la suela
pueden ser disparos diez calles
más abajo, o pueden ser
dimes y diretes, inclusive,
podría ser el grito desesperado
de ese amor atrapado en páginas

el viento apenas alude, al final
del día ésta es su ciudad, y somos
parte de lo que sopla por las noches
de lo que nos cuesta nombrar por
temor a equivocarnos, en fin,
nadie nos mandó a abrir esa gaveta

lo que encontramos nos deja lelos y
resulta que los días ahora
no son suficientes y las semanas
quedan trilladas en la nomenclatura
'de fiesta' que adorna nuestros años
de calendario y días de vacas

a ver si mañana amanece nublado
y la ciudad aguante la respiración

19.11.10

boys




it may be a good time for you
to take someone on a date

as i master the art of rolling
the perfect cigarette, with the punches

outside the girl with the red sweats
is running, not walking, the strange little dog

food takes forever
el busboy nos da vuelta
like a shark, round and round
nos reconocemos

it's time for me to focus
something i can hold on to

for real. for real?

this of course, puts me squarely
between a poem and the streets

the strange little dog had already done the deed
there was no need to walk

so we sat and waited
food takes forever
everybody else is staring
the game on the tv

boys, she said

might as well run
at this point
algo's bound to give

18.11.10

can you hear me now?





i hear the phone ring
but it's a lie
it doesn't ring like that anymore

aquí nunca hubo buena señal

29.10.10

los días se repiten como el coro de una canción vieja


sutil lo sabemos porque somos iguales
su cede es como si nada, casi como si nada,
un monumento a la futilidad,
un picor inclemente, una condición crónica
y las uñas largas como lápices afilados

mientras

mientes sobre el papel, trazas el alivio

y

rascas elocuente en la parte entrañable

¿por qué tú? ¿por qué yo?
¿por qué tuyo y no mío?

mientras

¿y?

los días se repiten como el coro de una vieja canción

3.10.10

Homenaje a Rafael Hernández (el de Maricao)


Hoy tengo un morbo fatal
que me jode y me encojona
la vida está tan cabrona
que dan ganas de cagar

largo y tendido sentéme yo a pensar
que como jesucristo en su madero
flotando en este inmenso mierdero
en vez de una corona de espinas
llevo un cangrejo en los huevos

Rafael Hernández falleció hace unos días. éste, su poema, caló hondo en mí érase una vez. Q.E.P.D.

30.8.10

semanario


lunes

me sacudo las penas como pulgas
husmeo los traseros de los demás
(siempre pendiente al trasero de los demás)
mucho más interesantes que el mío


martes

lo fuerte de tu recuerdo es el perfume
permea el día e impregna las despedidas
alguien pregunta por ti y por el perro
el día termina en silencio y con alta presión


miércoles

los vehículos zumban en la autopista
los relámpagos acercándose a lo lejos
con los cigarrillos llegan las dudas
de todos modos los truenos no dejan dormir


jueves

apesta a grama mojada y pisoteada
la energía discurre sin ton ni son
arremete como cauce sin prisa
hasta el otro extremo del fin de semana

viernes

extrañamos a algunos, aunque no falta nadie
a tu hermano lo ubican en la ciudad
callamos y tomamos café, a la espera
de otra noche más para lucubrar


sábado

empiezan las llamadas, se desbordan las excusas
los reclamos se amontonan como latas vacías
y a todos se nos cruzan los quizáces
sólo yo reparo en la falta de correo


domingo

la tormenta ayuda a afrontar la amnesia
sobre el horizonte se perfilan como en un espejo
mientras más evito las miradas, más gente
aparece a doblar las campanas de la iglesia

11.8.10

la última vez




se dice de lo más remoto
se habla de lo más escondido
se sueña con la retirada

pero se duda con todo lo que me compone, lo que echo de menos
así es que se conforma el recuerdo, que se copula con la añoranza
tú en la penumbra, por supuesto, y yo sin idea, sin saber
que no viene otra después, que no hay guarida ni cuartel

escucho las voces e ignoro el café que me acompaña
pero no es suficiente, sigo ofuscado con tu sombra
promiscuído entre tus posibilidades y manifestaciones
sigo sentado, solo, atrás en las escaleras de hierro
dizque un escape para cuando ardan mis entrañas
y se cuezan mis titubeos ante tus pies, antes de dar media vuelta

atrás está todo lo que quise decir, lo que quise retener
lo que me propuse cuidar con el decoro que nunca tuve
la confianza que siempre me evadió, como el cariño
pos-traumático que marcó la hora de tu ausencia

esperé como esperamos todos en algún momento u otro
vi cómo las reuniones coagulaban conocidos a mi alrededor
cómo las emociones se disolvían ante el retorno
esperé hasta ser el único en mi casa, en la estación
y luego volví a ser el que nunca fui, sólo por un instante

nunca más, me dije, seguí allí, sentado, esperando
postrero, como siempre, pero con la mirada en el monte



photo:
http://www.flickr.com/photos/rafvs/4785530637/

21.7.10

It started as a letter




It did rain that day. And the next, of course.

The pale glow of the window was enough
which is not too say your shadows are sore and drowsy.
At their most egregious, some have said
even though I prefer them long and mean spirited
like that other time you were surprised not leaving.

The elements?
Well, there was the rain and the long shift by the phone
there was the sound of nothing to do screaming from long ago
and they were all there, their faces also in transit
where they're not as threatening as your note
standing vigil in the kitchen with the rest of them.

The elements?
Well, there was the surprise. All night long
like the heat from the clouds, the alley, the fire
escape to no avail, like the stuff of your words
all over the place, the detestable longing to be

elsewhere

that's what they said
what they read
what they conveyed

your notes
in every door, every wall
in every drop

It did rain that day. And the elements?
They were waiting for me outside of town
like everything else.

9.6.10

haikú sugestivo

usar tu peste
como ropa interior
por varios días

6.6.10

Síntomas del Mall


se trata de un mareo
progresivo, letal
comienza con el reflejo,
el filo brilloso de la ciudad

luego el sol, la luna, el inequívoco
resplandor del porvenir

entonces alcanzo el oasis
y resulta ser puro cemento

9.4.10

casualidad


la física resultó ser una falacia
el espacio, una ilusión complicada
la soledad, la única compañía veraz

y todavía falta que caiga el sol

sólo el tiempo sostuvo su forma original
sólo el tiempo no cambió y continuó como si nada
el resto quedó promiscuído por la percepción
confabulado para el consumo en unos instantes
sólo el tiempo pudo con todo y siguió igual

y todavía falta que salga la luna

la conjura de los cuerpos queda al descubierto
somera e incompleta
la geografía falla, titubea, se desprende y cae
sin lugar a duda
sería imposible, absurdo, toparme contigo ahora

y así mismo es

31.3.10

domicilio




hay una pared de ladrillos y ruidos
afuera en el callejón
se alborotan los vehículos, pero el silencio
adentro se me antoja intolerable, artificial

por más mío que sea este lugar, esta vocal, este acento invisible

sigo siendo otro más, consentido por la falta
sentado entre la concurrencia pero pendiente al piscolabis
la Noche es una mentira literaria, un choque al sistema
un espermatozoide – cual partícula de polvo – entrelazado
con ternura entre la misma escena que nos separa

por más mío que sea este lugar, esta voz te pertenece

21.3.10

Esquerita, my love...


Fucking Johnny Broom. After almost twenty years of hiatus, good ‘ol Broom decided to stop by his mind for a visit. That’s just the way it was with Reeder. Invisible people were always dropping by, making an appearance, checking in on his mind.



This one, Johnny B., had once upon a time crawled out of the pages of Edward Ronn’s Gang Rumble that night Reeder perused that particular tome. He always remembered that first line, so trite, so typical of the times: “Young Johnny Broom had it all figured out. Only suckers and squares – like his brother Pete – worked for a living. There were easier ways to make the fast buck and a cheap thrill.”

He remembered finding the book in the army green dumpster back in the alley, all warped and twisted by the elements. And there were plenty of strange elements back in Greenville. But that was past now; now all that was left in his mind of his hometown were the opera obligatto hollers and a baby grand piano, a piano so vast and abundant that it was almost as if it was alive. It was life itself, all of it contained in that single piano. Every time he’d walk up to it, his skin froze and tensed, the hairs on the back of his neck stiffened and stood. Ah, how could Brother Joe have been so clueless, if only he could be here now.

“It’s starting! Starting I say,” he wailed onto the faithful from his small town past now shifting restlessly in his mind. Finally a world we can actually claim as ours, he thought. No more serving, no more dishes, no more folding clothes, no more alley smoke in your eyes – it is all ours! Yea, right Joe, dream on… There were easier ways, he’d thought unoriginally as he pounded on those keys, as he had wailed out of control in all those halls. Goodbye Joe, goodbye Greenville. After that it was the big N.O., then the Golden State, and now the Shining Star of the Caribbean, a star on the verge of a supernova collapse. Buildings and security guards, record labels and rhinestone studded glasses, screaming teenagers and anxious executives on the sidelines.

The traffic would not give; the cab was a stupid idea. He paid the driver a couple of bucks and got out of the cab while he adjusted his brassier full of toilet paper. Vintage voola turned into an infested slut, shiny little dreams littering the alleys all the way back home. However, the uproar of a stormy night in San Juan cleansed his thoughts and afforded him so clarity, some direction. So many people on the move, so much wind stirring things up. He recalled that night at the Note when Paul Peek explained to him the pleasures of anal penetration.

“See,” Paul had said, “there are these glands along the walls of your rectum passage that are connected to your adrenals. I think in women this mass is called the G-spot, but in men in endows anal penetration with the capacity to unleash quite an orgasmic experience, thanks to some watchamacallit hormone or other, you know?” Shit just flowing out without rhyme or measure. Reeder never imagined he’d meet a person so full of shit, so absolutely off. No Paul, not quite, a true orgasm could only be experienced out and about, on these damp streets and alleys swelling with energy. If Paul were still alive he’d call him to explain how a real orgasm relied on numbers, simple arithmetic. Poor cocksucker died with one up his ass, lucky bastard.

From somewhere came the time, above the din of social anxiety, and he realized he was already late. Fuck it, and fuck Pantojas too. He could go to hell. Reeder was sick of it, sick of the whole damned thing. Fuck his vaudeville robes, his crappy show and his hairy ass. It had taken Reeder quite a bit to figure out that doing a transsexual burlesque was not really an Easier Way.

“Esquerita mi amorrrrrr…!” He turned to find a glowing Raoul. “I thought you were doing the show tonight as well?”

“Brillas de lo pendejo que eres, Raoul. Just get the hell outta my life.” If only Pantojas could’ve heard that, how he’d given serious lip to one of his so-called high rolling regulars. He’d say it again louder, so all the joint could hear. But you know what, he didn’t need Pantojas, the anonymous mass of people around him was enough for him. He’d have the whole world as witness.

Only one thing left to do: return to the grand ol’ piano, to the pounding and hollering that had made that white woman back in Dallas faint, twice, to the mile-high pompadour and patent leather Cuban heels that made him tower over seven feet, to Sister Rosa by the ovens with the bread, blessed in every conceivable way. In a raging fit of revelation he began to undress, to shed, first his wig, then his bra, the wild black rippling over his chest. He ran into the streets, the toilet paper flowing back like a glamorous scarf, jumping onto the hood of a car and grabbing his balls for all to see. “For all of you to eat one last time!” Then his dress, carried by the hurricane winds for what seemed like forever, every article of clothing taking to the air like bats out of hell.

In seconds he was naked and covered in goose bumps. “Fuck you Johnny Broom!,” he screamed as he jumped from car to car, his bare feet denting the hoods. From his vantage point, Reeder could see the river of still cars, the lack of motion, the stunned faces, he could even hear the heckles of far away bystanders, amused by the turn of events. “Storm, hey stoooorm,” he continued, “this is your victory, this is your lesson, your legacy!” He continued hopping from car to car, banging on the rooftops, urging people to wake up and strip away the lies, the fears, and experience with him a real orgasm. But when he landed on the blue Gran Torino on the farthest lane, the driver stepped on the gas and he lost his footing. Down, of course, he went, his glass eye jumping ship upon the impact from LeCar speeding by on the grassy median.








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